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They are imbuing these things with meaning, pumping significance into them; they are imposing order and form upon the world, which is, as noted, something that we, by which I mean human beings, do all the time and can, moreover, be done in relation to absolutely anything; this is, for example, how superstitions are created.
An ordinary shelving unit! And yet people, including the artist himself of course, see something in that shelving unit, some kind of message or comment, some significance; they, yes, pump that grey shelving unit full of significance.
You might argue that we impose meaning on the world because otherwise it would be too overwhelming, too chaotic, too frightening. The world is bigger than us, more powerful; and therefore we need to try and bring it to heel.
What is interesting about Cosmos, however, is that Gombrowicz takes the opposing position, which is that an ordered world is overwhelming, that what is terrifying is relentless meaning.
He likens this to a swarm. It now strikes me that what Gombrowicz was doing was destroying form, destroying human order by breaking people down, pulling them apart.
Indeed, I could have burdened you with many more paragraphs, as there are a number of other subjects I would like to explore — coincidence, threads and logical connections, madness and obsession, and so on — but this review is long enough already, and there are still a couple of points I must briefly touch upon before I finish.
Secondly, and most importantly of all, this is a serious contender for the funniest book I have ever read. Which, I feel, is something that the author would have approved of.
View all 15 comments. Feb 05, Mariel rated it really liked it Recommends it for: Sparrow hanging in senseless success.
A choked chicken adds to the symbol equation. In an accident they stay the night. Her mouth was a big bang.
Everything means nothing, and behind that mouth this mouth. If you fuck someone you fuck everyone they have ever sheet between. Her mouth behind other her mouth, his hands on her hands your hands.
White ceiling skies betray signs. Th Sparrow hanging in senseless success. The cat crucifixation is not a mystery.
Stay the night by put to sleep. Put them all out of your mind on nails. Say it makes sense. Come chiamare storia questo continuo … addensarsi e disfarsi … di elementi … Un passero impiccato, una freccia sul muro, un labbro femminile deformato, un gatto strangolato, le mani di una timida ragazza, un albero preso a martellate.
Questi sono solo alcuni dei segni e degli eventi che il giovane Witold cerca ossessivamente di collegare e decifrare, in una cupa pensione immersa nella canicola estiva.
Il libro riporta le riflessioni in prima persona di una mente al limite della follia. Per me due stelle: A un tratto, al primo piano, vidi una finestra illuminata — la loro, quella di Lena e di Ludwik.
Vederla, vederla — vederla con lui — che cosa avrei visto? Lui le mostrava una teiera. Ero preparato a tutto. Ma a una teiera no.
Esiste quel che si dice la goccia che fa traboccare il vaso. View all 6 comments. May 11, Brent Legault rated it it was amazing Recommends it for: At first, his marginalia are serious and boring, like his essays no doubt.
Then, beginning on page 70 wherein a violent killing is described , he gets fed up. He stops thinking through the textbook or through the mouth of his professer and he begins to, well, not think but at least speak for himself.
Here are a few of his comments: I would have liked to have been reading this book aloud to him, preferably at his bedside while he lay in a full body cast.
Cosmos is obsessive, repetative in story and style, mind-rumbling and hilarious. It is weird and the narrator is a weirdo So I do, sometimes, agree with the college student.
Fortunately, he "lived" in a time when crazy could take over the page and make lovely, horrible fictions, never to be bogged down by the clinical, the catagorized, the dull.
What a wonderful weirdo is he! Oct 09, Jim Elkins added it Shelves: How to Be Genuinly Obsessive-Compulsive, Not Artificially So "Cosmos" is finicky, fidgety, microscopic, auto-erotic, pointless but sharp as a scratchy saw.
Like a perverted Conan Doyle. Like a psychotic entomologist I knew, who was nearly blind and wore absurd thick glasses and could be seen wandering around the college campus trying to peer at bees from one inch away.
He thought that car crashes happened somehow on account of him. Could not be better. Dec 10, Tanuj Solanki rated it really liked it Shelves: An absurd sight of a sparrow hung from a string begins this unique tale of great paranoia and even greater mental contrivance.
The central idea is of how a chaotic world is routinely, perpetually, even grudgingly, willed by us human beings into some sort of an order, and how the effects of this willing add in turn to the chaos.
The problem, therefore, is one of limits. And it is through ridiculing the limits that Gombrowicz creates his dark, nonsensical humor here.
The central mystery of the novel - who hung the sparrow? The ogling detective has a strong agency of his own, and also a fantastic imagination, and through these he contaminates the scene - which, again, exists largely in his own head - beyond all recovery.
In his un-moored consciousness, everything is at once the question as well as the answer. No end is plausible for this mystery, for the mind cultivates the mystery real-time.
Of the same league as Notes from the Underground, or Hunger. Mar 02, Ubik 2. If there is anyone who knows what the things are behind, in spite of and within themselves, it was this guy I would go for "is" though, as, I believe, now he still knows it, only somewhere else.
But then try not to. In a way we are all mad, "connecting and associating". In a way it is this madness that makes us be what we are.
There is also an interesting passage on bringing yourself pleasure. Out of a mouth of a nearly-madm If there is anyone who knows what the things are behind, in spite of and within themselves, it was this guy I would go for "is" though, as, I believe, now he still knows it, only somewhere else.
Out of a mouth of a nearly-madman or not, it sounded convincing. May 06, Bjorn rated it really liked it Shelves: Cosmos, like all detective novels, is all about finding the clues.
So our hero and narrator Witold and his friend start to gather evidence. In trying to find out what things mean, at what point do they go from observing to concluding to ascribing?
The defining ability of mankind is not our sense of humour, or our love, or our hate, or our ability to use tools; animals can do all of that, in one way or another.
What we can do, what only we can do, is to try and figure out meaning, to make sense. We supposedly understand intricate chains of cause-and-effect, we supposedly understand symbolism, we supposedly understand how context matters We look at a bunch of stars that are hundreds of light years apart and call them a constellation; we look at an abstract painting and call it a portrait; we look at a bunch of possibly related lives and call them a plot.
As you may gather, Cosmos is not your typical detective story. As darkly humorous as Gombrowicz always is, the narrator gets on my nerves a bit after a while.
Not a lot, but a little bit. And yet somehow, Cosmos is a detective story. A surreal, nightmarish, perverted detective story, but a detective story nonetheless in both plot and form.
Then again, so is Crime And Punishment. Find the killer, save the damsel, save the world, figure out how everything works, live happily ever after.
And so, the one place where Cosmos deviates heh from the norm is in its perception of whether that is at all possible. The traditional detective story tries to create order from chaos; take a number of seemingly unrelated clues, and then use your little grey cells to piece them all together into a watertight cause-and-effect narration of what happened; the killer is caught, the deviant object is removed and order is restored.
The story has a clear beginning and a clear end. In trying to solve one mystery, bring order to one seemingly chaotic chain of events, the detective has just created new mysteries, uncovered new deviations.
At some point, the deviation becomes the norm; as Frank Zappa once said, "anything played wrong twice in a row is a new arrangement".
Mar 28, Jesse rated it liked it Shelves: Cosmos is a long pages. It is tedious during most of the first half, then explodes with power.
More tedium follows, escalating to the point that it becomes nail-biting tension. A tedious denoument follows a thrilling climax.
Overall, the book offers maybe a 3: Translation issues aside, it is hard to imagine a Cosmos with the energy and charm of Trans-Atlantyk.
As a psychological study, though, the book is admirable and as a polemic against boredom and solipsism, it is actually quite moving. Un giallo filosofico abitato da chimere, cadaveri e oggetti magici.
Dec 20, Billy rated it it was ok Recommends it for: A few years ago people started to use the phrase "mental masturbation" to describe conversations involving an Ivy League bull session-esque, punctilious analysis focused to a fault on details, or on the wildly hypothetical, such that they do not offer any use in the real world.
Reading this short novel detective story? The main character in this book, a young man who i A few years ago people started to use the phrase "mental masturbation" to describe conversations involving an Ivy League bull session-esque, punctilious analysis focused to a fault on details, or on the wildly hypothetical, such that they do not offer any use in the real world.
The main character in this book, a young man who is vacationing at a family-run pensione in the countryside with a friend, narrates an irritatingly tedious stream of consciousness, what could quite well be described as "mental masturbation.
Lest you not come to it yourself, the translator lends a hand with a footnote explaining that another passage represents "[f]urther development of the onanistic theme.
This would be interrupted regularly with painfully brief moments of narrative coherence, before resuming. But I did find the book fascinating and Artful in that it made to feel captive in the mind of someone lost in the noise of his own perceptions--perhaps the character is autistic?
I have no idea. Jan 03, Crito rated it it was amazing Shelves: The style Gombrowicz uses in Cosmos reminds me of jazz. Not quite in the pseudo-improvisational bent the way the beats interpreted it, but the structure behind it.
You have a finite number of familiar notes, chords, scales, and yet through arrangement, rhythm, and sheer ingenuity a player can rapid fire out a galaxy of unique interpretations of it.
Cosmos is about the problem of induction, that we know what we know based our perception of the necessary connections between things, which then breaks down into unreliable guesswork because of everything that goes unperceived.
The Cosmos then is, as the word implies, the entire universe of objects and matter. The characters form their own perceived cosmos in their local area they inhabit, and from their deep intimacy with their environment they trick themselves into thinking they know how and why things make sense.
Dal caos al cosmos. Mar 04, Shawn rated it it was ok. I am convinced that most people read novels such as this, can make neither hide nor hair of it, but are afraid that admitting as much is to admit that they are unable to grasp depth and meaning in the depthless and meaningless.
I give this two stars only because I have a rule about allowing one star for translation. Either the translating helped the novel and the translator deserves a star, or the translator hurt the book, in which case the author should be rewarded a conciliatory star.
I read o I am convinced that most people read novels such as this, can make neither hide nor hair of it, but are afraid that admitting as much is to admit that they are unable to grasp depth and meaning in the depthless and meaningless.
I read one review that praised the author for his use of words and "parsing meaning" from them. He used the same words, lists, phrasings, pairings, over and over, and over again to the point where it all became pointless.
I started out genuinely intrigued. Until about 30 pages in, when it became unsettlingly clear that there really was no story here. It was a bunch of mumbling, repetitive nonsense.
It is difficult to call this a story Let Me help you out with that, then It went absolutely nowhere, slowly. Material Ton, schwarz oder grau glasiert.
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Das ist individuell verschieden. Ja, du brauchst nur einen Internetzugang. Ansonsten kannst du, wo auch immer du bist, auf die Videos und Texte zugreifen.
A Sketch of a Physical Description of the Universe in German Kosmos — Entwurf einer physischen Weltbeschreibung is an influential treatise on science and nature written by the German scientist and explorer Alexander von Humboldt.
In the second volume he describes the history of science. Humboldt goes on to suggest that when one contemplates the beauty of the cosmos, one can obtain personal inspiration and a beneficial, if subjective, awareness about life.
Cosmos was highly popular when it was released, with the first volume selling out in two months, and the work translated into most European languages.
Since the early years of the nineteenth century, Humboldt had been a world-famous figure, second in renown only to Napoleon. By the time he wrote Cosmos , Humboldt was an esteemed explorer, cosmographer, biologist, diplomat, engineer, and citizen of the world.
Twenty-five years after his exploration of the Americas, at the age of sixty, Humboldt undertook an extended tour, subsidized by the Tsar of Russia, into the interior of Asia.
Ehrenberg and Gustav Rose, traveled across the vast expanse of the Russian empire. Upon his return, Humboldt left the publication of the scientific results to Ehrenberg and Rose, while his own work — a three-volume descriptive geography entitles Asie Centrale — did not appear until many years later.
Asie Centrale focused on the facts and figures of Central Asian geography, along with data to complete his isothermal world map. In , having spent himself into poverty publishing his scientific works, his king, Friedrich Wilhelm III, reminded Humboldt of his debt and recalled him to Berlin.
When he arrived in Berlin, Humboldt announced that he would give a course of lectures on physical geography. From November to April , he delivered a series of sixty-one lectures at the University of Berlin.
The lectures were so well-attended, that Humboldt soon announced a second series, which was held in a music hall before an audience of thousands, free to all comers.
In after the Berlin lectures, Humboldt began formulating his vision in writing.