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    Fairytale gone bad deutsch

    fairytale gone bad deutsch

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    Excerpts and links may be used, provided that full and clear credit is given to Jim Morton and East German Cinema Blog with appropriate and specific direction to the original content.

    The king locks Marie up in the castle and forces her to prove this claim. Faced with the impossible task, the young woman despairs until a little man appears and offers to help her.

    He just asks for a few things. The name change is not a whim. The film is based on a stage play that takes enough liberties with the original to make it a different story.

    In some versions of the story he tears himself to pieces, in others he simply runs away. While Rumpelstiltskin does spin straw into gold, he also cautions Marie that the road to happiness has nothing to do with wealth.

    When confronted with his name, the little man merely wags his finger, satisfied that everyone has learned his lesson about the dangers of pursuing wealth.

    Rumpelstiltskin was directed by Christoph Engel. Engel is better known as an actor. This film is his only credit as director. After the War, he started working as a cinematographer, under the tutelage of master cinematographer Karl Plintzner.

    He died in Lesch comes from a long line of performers. Her grandparents and uncles were also actors in Austria.

    Lesch was sixteen at the time. After training as an actress at the Staatliche Schauspielschule Berlin , now the Ernst Busch Academy of Dramatic Arts , she started performing at the Potsdam Theater, and appearing in films.

    She is best known today for her role as the queen in Three Hazelnuts for Cinderella. Lesch retired from films in , but continued to act on stage.

    After the Wende, she withdrew from public life. Rumpelstiltskin is played by Siegfried Seibt. Seibt got his start in theater before WWII working as a set designer.

    He attended Drama school in Breslau and appeared in several plays before and after the War. Seibt died in It might seem like a film such as this with an obviously socialistic theme would fare badly in the West.

    The film proved popular enough to make it into the top fifty most popular films from the GDR. The film was eventually in a dubbed version released by Arrow Film Associates in under the title Rumpelstiltskin and the Golden Secret.

    As discussed elsewhere on this blog, fairytale films were the closest thing to a cash cow the East German film industry had to offer.

    Beloved by East and West Germans alike and often featuring stories in which the poor and generous triumph over the rich and greedy, the fairytale film faced fewer hurdles when they were exported to the West.

    Right off the bat, the DEFA film starts the same way as the fairytale: A young queen is shown sewing next to an open window on a snowy day.

    The woman accidentally pricks her finger, and seeing the red blood on the white snow in the ebony window frame, thinks she would love to have a child with skin as white as snow, lips as red as blood and, hair as black as ebony.

    Soon after, Snow White is born, but the the queen dies and the evil stepmother enters the picture. At this point, both the Disney version of the story and the DEFA version follow the fairytale closely, with the evil queen telling the huntsman to take Snow White into the forest and kill her, the huntsman having pity on the girl, and Snow White discovering the home of the seven dwarfs.

    In a way, this change by Disney is an improvement. In the DEFA version, as in the original story, Snow White revives after the dwarfs stumble with her coffin and the piece of the apple is dislodged from her throat.

    In the original story, the queen also comes to the wedding but is met there with a pair of red-hot iron shoes that she is forced to wear and dance in to her death.

    This gruesome detail is omitted from later editions of the fairytale, so DEFA can be forgiven for also omitting it.

    No other East German director has such a catalog of genre-specific movies. Kolditz graduated with a doctorate from the University of Music and Theater in Leipzig, which was founded as a music conservatory in by the composer Felix Mendelssohn.

    Most of his early films were musicals, and nearly all of his films contain musical sequences, even the science fiction films.

    Kolditz died in in Yugoslavia. Kaltofen practically made a career out of converting fairytales into screenplays.

    Born in Erfurt in , Kaltofen served in WWII as a Luftwaffenhelfer a young person enlisted to help German soldiers keep their anti-aircraft guns loaded.

    He was captured and sent to a P. After the War, he studied various subjects at schools in Jena and Leipzig, eventually working as dramaturge at theaters in Meisen and Leipzig.

    Kaltofen died in in East Berlin. Snow White stars the stunning Doris Weikow. Weikow began her career as a gymnast, winning the German Youth Champion in From there, she went into television as an announcer—a role she continued throughout her life.

    At the time Snow White was being filmed, she was married to Erwin Geschonneck, and they had one daughter, the journalist and writer Fina Geschonneck.

    Weikow only appeared in four films Snow White was her first. She might have had more of a career in films but she chose to continue working as a television announcer instead.

    Playing opposite her as the evil queen is Marianne Christina Schilling in what would be her most career-defining role. Schilling mostly appeared in roles as supporting characters.

    She moved with her husband to Bremen in Suffering from a particularly severe form of arthritis, she retired from acting and died in Schilling came to the role thanks to Albert Wilkening, the head honcho at the Babelsberg Film Studio.

    Because of his degree in engineering, and a background in law and patents, he was hired as the technical director at DEFA. Soon he becomes the man in charge of nearly aspect of studio operations, eventually becoming the head of productions at DEFA.

    That all came to an end in with the 11th Plenum decisions. A party wonk named Franz Bruk took over, but Bruk was inept and ill-suited for the job.

    Eventually Wilkening was asked to return to DEFA, where he worked from until his retirement in Wilkening lived just long enough to see the Wall come down, but not longer enough to see Germany reunited.

    He died on the 24th of July, This film has all the things one comes to expect from a DEFA fairytale film: The films remains one of the most popular fairytale films to ever come out of East Germany.

    Those two movies were made and distributed back when the West was more accepting of East German films, but Snow White came out a few months after the Berlin Wall had been built and relations between the two Germanys were at their worst.

    The fact that the film was so popular is a testament to its quality. It is a good fairytale film, rich in details and beautifully photographed.

    While DEFA was far better at interpreting famous fairytales on film than Hollywood ever was, the fact is, many of the classics are so grotesque that any movie that did them justice would not be considered suitable for children.

    The story started life as a newspaper serial, and eventually was turned into a book. The book is filled with this sort of mayhem. I read this book when I was in the seventh grade and it astounded me.

    This book is not what you think! It is considered by many to be the best animated film that Disney ever created.

    Disney follows the original story better than most of his fairytale adaptations, but he still omits the gorier details. No paws are bitten off, and the cricket not only survives the film, he goes on to have a long career of his own in educational films.

    On the way to school, he encounters the Fox and the Cat, who convince him to sell them his textbooks so he can go see a traveling puppet show that is in town.

    Pinocchio helps Geppetto get out of the fish and, for his bravery, the puppet is granted his wish to become a real boy.

    Unlike the Disney version, this Pinocchio is a live action film. Making a live action film where humans interact with a puppet is no small task.

    What these two do with the puppets is uncanny. Getting a marionette to walk across the room is one thing, and takes skill on its own, but they take it a step further with hand gestures and body postures that bring Pinocchio to life.

    Director Walter Beck handles this spectacularly well, but some credit must be given to film editor Margrit Brusendorf, who was working on her first feature film.

    Brusendorf went on to have a long and successful career, but like many of the other East German film editors, the transition after the Wende proved to be impossible.

    Walter Beck was born in Mannheim, but grew up in Berlin. He got his start at DEFA working in dubbing and assisting on documentary films. Eventually he moved into the feature film department and by the end of the fifties was directing his own feature films.

    He quickly became established as the director of films for children and young people. Beck was sixty when the Wende occurred, so he probably would have retired soon anyway, but the end of East Germany, and the shunting off of that countries best talent into the television arena likely helped force an early retirement on him.

    He currently lives in Blankenfelde near Berlin. Merk was the first person to recognize the potential value of the East German fairytale films on the U.

    They did better than that—they shipped him a print of a feature film that turned out to be Pinocchio.

    Merk purchased the rights from Rappoport, then with his wife, Ellen, wrote an English adaptation and had it dubbed using New York stage actors who did a far better job on this film than the dubbing teams responsible for the spaghetti westerns and kung fu features at the time.

    The film opened during a blizzard in the middle of one of the coldest Winters New York City had seen in a while. In spite of this, the film did gangbuster business and helped raise the profile of the East German fairytales on the American market.

    Gordon Murray, who also adapted and distributed DEFA films, but tended to take a meat cleaver to them, Merk leaves the original DEFA film mostly intact, changing only the songs, and removing one scene involving drunk children.

    The songs in the original film were very German sounding. The success of the film convinced Merk to follow it up with more Pinocchio films featuring Pinocchio getting into various scrapes and having new adventures.

    Watch on YouTube in English, in eight parts. Buy this video in German. Some of these movies look like East German films, while others seem very Czechoslovakian.

    Gone are the bright reds and blues, replaced with shades of brown and white; the leads have brown eyes instead of blue; and the music is more orchestral than most other DEFA fairytale films.

    She was an important figure in the Czech National Revival movement of the early nineteenth century, a movement that sought the re-invigoration of the Czech language, which, at the time, was in danger of being abandoned in favor of German.

    The glass slipper is replaced with an ordinary pump, and nothing special happens at midnight. Cinderella leaves the ball because, well, because.

    Although she it still oppressed by the step-mother, she never bends. She is her own woman, equal to and in most ways superior to the prince she marries.

    The most magical element in the film comes by way of a twig holding the three hazelnuts in the title. He seems to care as little about Cinderella as the stepmother does.

    The movie was originally slated to be filmed in the Summer, but the DEFA crew was already busy working on other projects, so production was pushed back to the Winter.

    This meant filming had to be done in deep snow and freezing temperatures. It did make for some beautiful settings, though.

    Later on, when the production moved to Moritzburg Castle, the snow was gone, so the crew had to find a realistic looking artificial snow.

    They settled on pounds and pounds of fish meal, which, according to those who were there, stank to high heaven. His first big hit was in with Who Wants to Kill Jessie?

    Three Hazelnuts for Cinderella put her on the map and she went on to have a successful career on stage and screen, up through and after the Velvet Revolution.

    She retired in after being diagnosed with lung cancer and having part of her lungs removed. As was often the case with the DEFA films that featured cast members from different countries, the actors spoke their parts in their own languages, and were then dubbed into each language as needed see Goya.

    It was only his second film role and he still spoke with a thick, Moravian accent, so he was dubbed in both Czech and German. Since then, however, he has apparently mastered the subtleties of the Czech language because he is often called upon to dub Hollywood films, giving voice to actors such as Terence Stamp, Alain Delon, and Alan Alda.

    The music for the film was composed by Czech composer Karel Svoboda. In the sixties he worked with the Laterna magika in Prague.

    His first wife of 24 years died of cancer. Svoboda remarried, and had a daughter. Four-and-a-half years later, the daughter died of leukemia.

    In debt and getting sick, Svoboda finally decided to end things. In January of , he went into his garden and shot himself. The Barrandov Studios continues to function.

    Moritzburg Castle has also gained fame from the film and is a popular destination for couples looking to get married.

    The film has gone on to become a classic in Germany and the Czech Republic, and is shown every year at Christmastime on television in those countries.

    This year, it is also being shown with a live orchestra at various venues around Germany. English subtitles these subtitles are taken from Czech version, so there are some discrepancies between the German dialog and the subtitles.

    Veoh has a German-language version of the film, and Subsmax. You can download the video and subtitles, and then either watch the film with a program such as VLC Player, which lets you use subtitles from a separate file, or burn the film and subtitles together onto a DVD.

    I received a request to do a review of this film from a reader. Godfather Death Gevatter Tod is based on one of the most interesting fairytales the Brothers Grimm ever transcribed.

    Unlike most of their stories, the magical elements are kept to a minimum here. At the beginning of the film, we see a man scurrying down the road, clutching a baby in his arms, his thirteenth child.

    Next he meets the Devil, who also offers, having a special fondness for the number thirteen. Finally, he meets Death, who, unlike the other two, treats everyone as equals.

    The man likes this attitude and decides that the Grim Reaper should be godfather to his son. After he saves the life of Barbara, the young and beautiful daughter of the mayor, he is shown that her candle is almost extinguished and he would have to make a choice: Unlike a Disney version of a fairytale, no one in this story lives happily ever after.

    Godfather Death is a made-for-TV film that was first shown shortly after Christmas in Although made for television, the film was produced at the DEFA studios and it shows.

    As with most of his scores, much of the music takes its cues from the period in which the story occurs—in this case, the middle ages. Most of his work, both before and after the Wende , has been in legitimate theater and television.

    Death is played by Dieter Franke, an actor best known for comedy. The son of a stage designer, working as a props man and an extra in the theater in Greiz.

    He started working in films and television after he came to Berlin in He was scheduled to play the car accident spirit in Motoring Tales , but died in at the age of Since the Wende , he has gone on to become one of the leading voice actors in Germany, often dubbing the voices of Chris Cooper and Danny Trejo.

    Her first film was Disko mit Einlage Disco Interlude , followed by several more made-for-TV movies including this one. Still young at the time of the Wende , and already mostly working in television, reunification had less impact on her career than it did for some of the others at DEFA.

    She continued working television and has appeared in dozens of TV shows. Inevitably, with the perspective of history, we can see parallels to the tale here and the fate of the GDR.

    As it was originally shown on television, there are no box office figures for the film, but it was well received by the critics.

    As an example of an East German fairytale film, though, it is a bit of an anomaly. It lacks to eye-bleeding colors and over-the-top set designs of the earlier fairytale films.

    For that reason, it might be overlooked, but it is still worth checking out. IMDB page for the film. Thanks to kid film friendly companies such as K.

    Gordon Murray and Childhood Productions, these films were some of the very few that received U. Fairytales offered a nice neutral territory for both sides.

    Sure the rich are often the bad guys in the East German films, but they are in the original fairytales too. The films are colorful, imaginative, and well produced.

    It had been perfect. Life had been perfect. We had been perfect. Three years… Like a dream. Or like a movie. And god knows, I was his. Never before in my life I had felt so much love.

    It felt like for every tiny bit of love I gave to him, he rewarded me with twice so much. We had been so very close like we were one. He was my life.

    He was the one thing that kept my heart beating. Three fucking years… And then he had to freak out. Thinking back, there had been signs that something was on its way and it kept crawling behind us like a nasty, ugly creature, hidden in the shadows.

    But at some point it passed us without being noticed. Sure, after three years people finally started to wonder why we still lived in the same house, why neither Randy nor I had dated girls during the whole time.

    And then there were people like Stephen who knew about us and had our back. But everything was okay. There was no reason to worry.

    He loved me, I loved him. We had Alanna and after a little over half a year, Sam accepted the facts and we became friends.

    And Alanna was a very happy girl with a mom and two dads. And I… in that time, every day was the best day of my life. Every day I felt like that very moment when I realized that Randy was mine.

    I felt pure love and joy and so many more golden warm feelings, every single minute, becoming even brighter and more vivid those moments he was with me.

    And he felt the same. He told me that, over and over again…. Situations where we had been called faggots by some random idiots.

    I broke his nose in response. He found out about us and threatened that he would make sure Randy would lose the joint custody and that he would never see Alanna again.

    That a pervert like him had no right to have a daughter. But even that could have been filed under: But this was about his little girl and when it came to Alanna… well, when it came to her, Randy freaked over everything.

    And then from one second to the next hell broke loose and I found myself standing in the middle of it and before I knew what was just happening it was already too late.

    The situation had gotten out of hand before I had the chance to close my fingers around it and keep it from slipping through them….

    I sure as hell know how the fear feels that I might lose you and I love Alanna as if she was my own daughter, goddammit! Much softer I added: There was a glint in his eyes at my words and I hoped that he understood that I knew how he felt.

    The glint was replaced by an odd cold emotion and if I had to guess, it was some freezing cold and scaring offspring of his fear to lose Ally.

    I had to swallow hard against the lump that built in my throat. God, who was the man standing there? His words left a bitter taste in my mouth. Randy wiped his hands down his face, before he crossed his arms over his chest, but his slightly hunched shoulders told me that he slipped into a defensive posture.

    Not able to hold my disappointment and frustration any longer at bay I snapped loudly:

    A party wonk named Franz Bruk took over, but Bruk was inept and ill-suited for the job. Eventually Wilkening was asked to return to DEFA, where he worked from until his retirement in Wilkening lived just long enough to see the Wall come down, but not longer enough to see Germany reunited.

    He died on the 24th of July, This film has all the things one comes to expect from a DEFA fairytale film: The films remains one of the most popular fairytale films to ever come out of East Germany.

    Those two movies were made and distributed back when the West was more accepting of East German films, but Snow White came out a few months after the Berlin Wall had been built and relations between the two Germanys were at their worst.

    The fact that the film was so popular is a testament to its quality. It is a good fairytale film, rich in details and beautifully photographed.

    While DEFA was far better at interpreting famous fairytales on film than Hollywood ever was, the fact is, many of the classics are so grotesque that any movie that did them justice would not be considered suitable for children.

    The story started life as a newspaper serial, and eventually was turned into a book. The book is filled with this sort of mayhem.

    I read this book when I was in the seventh grade and it astounded me. This book is not what you think! It is considered by many to be the best animated film that Disney ever created.

    Disney follows the original story better than most of his fairytale adaptations, but he still omits the gorier details.

    No paws are bitten off, and the cricket not only survives the film, he goes on to have a long career of his own in educational films.

    On the way to school, he encounters the Fox and the Cat, who convince him to sell them his textbooks so he can go see a traveling puppet show that is in town.

    Pinocchio helps Geppetto get out of the fish and, for his bravery, the puppet is granted his wish to become a real boy. Unlike the Disney version, this Pinocchio is a live action film.

    Making a live action film where humans interact with a puppet is no small task. What these two do with the puppets is uncanny. Getting a marionette to walk across the room is one thing, and takes skill on its own, but they take it a step further with hand gestures and body postures that bring Pinocchio to life.

    Director Walter Beck handles this spectacularly well, but some credit must be given to film editor Margrit Brusendorf, who was working on her first feature film.

    Brusendorf went on to have a long and successful career, but like many of the other East German film editors, the transition after the Wende proved to be impossible.

    Walter Beck was born in Mannheim, but grew up in Berlin. He got his start at DEFA working in dubbing and assisting on documentary films.

    Eventually he moved into the feature film department and by the end of the fifties was directing his own feature films.

    He quickly became established as the director of films for children and young people. Beck was sixty when the Wende occurred, so he probably would have retired soon anyway, but the end of East Germany, and the shunting off of that countries best talent into the television arena likely helped force an early retirement on him.

    He currently lives in Blankenfelde near Berlin. Merk was the first person to recognize the potential value of the East German fairytale films on the U.

    They did better than that—they shipped him a print of a feature film that turned out to be Pinocchio. Merk purchased the rights from Rappoport, then with his wife, Ellen, wrote an English adaptation and had it dubbed using New York stage actors who did a far better job on this film than the dubbing teams responsible for the spaghetti westerns and kung fu features at the time.

    The film opened during a blizzard in the middle of one of the coldest Winters New York City had seen in a while.

    In spite of this, the film did gangbuster business and helped raise the profile of the East German fairytales on the American market. Gordon Murray, who also adapted and distributed DEFA films, but tended to take a meat cleaver to them, Merk leaves the original DEFA film mostly intact, changing only the songs, and removing one scene involving drunk children.

    The songs in the original film were very German sounding. The success of the film convinced Merk to follow it up with more Pinocchio films featuring Pinocchio getting into various scrapes and having new adventures.

    Watch on YouTube in English, in eight parts. Buy this video in German. Some of these movies look like East German films, while others seem very Czechoslovakian.

    Gone are the bright reds and blues, replaced with shades of brown and white; the leads have brown eyes instead of blue; and the music is more orchestral than most other DEFA fairytale films.

    She was an important figure in the Czech National Revival movement of the early nineteenth century, a movement that sought the re-invigoration of the Czech language, which, at the time, was in danger of being abandoned in favor of German.

    The glass slipper is replaced with an ordinary pump, and nothing special happens at midnight. Cinderella leaves the ball because, well, because.

    Although she it still oppressed by the step-mother, she never bends. She is her own woman, equal to and in most ways superior to the prince she marries.

    The most magical element in the film comes by way of a twig holding the three hazelnuts in the title. He seems to care as little about Cinderella as the stepmother does.

    The movie was originally slated to be filmed in the Summer, but the DEFA crew was already busy working on other projects, so production was pushed back to the Winter.

    This meant filming had to be done in deep snow and freezing temperatures. It did make for some beautiful settings, though. Later on, when the production moved to Moritzburg Castle, the snow was gone, so the crew had to find a realistic looking artificial snow.

    They settled on pounds and pounds of fish meal, which, according to those who were there, stank to high heaven.

    His first big hit was in with Who Wants to Kill Jessie? Three Hazelnuts for Cinderella put her on the map and she went on to have a successful career on stage and screen, up through and after the Velvet Revolution.

    She retired in after being diagnosed with lung cancer and having part of her lungs removed. As was often the case with the DEFA films that featured cast members from different countries, the actors spoke their parts in their own languages, and were then dubbed into each language as needed see Goya.

    It was only his second film role and he still spoke with a thick, Moravian accent, so he was dubbed in both Czech and German.

    Since then, however, he has apparently mastered the subtleties of the Czech language because he is often called upon to dub Hollywood films, giving voice to actors such as Terence Stamp, Alain Delon, and Alan Alda.

    The music for the film was composed by Czech composer Karel Svoboda. In the sixties he worked with the Laterna magika in Prague.

    His first wife of 24 years died of cancer. Svoboda remarried, and had a daughter. Four-and-a-half years later, the daughter died of leukemia.

    In debt and getting sick, Svoboda finally decided to end things. In January of , he went into his garden and shot himself.

    The Barrandov Studios continues to function. Moritzburg Castle has also gained fame from the film and is a popular destination for couples looking to get married.

    The film has gone on to become a classic in Germany and the Czech Republic, and is shown every year at Christmastime on television in those countries.

    This year, it is also being shown with a live orchestra at various venues around Germany. English subtitles these subtitles are taken from Czech version, so there are some discrepancies between the German dialog and the subtitles.

    Veoh has a German-language version of the film, and Subsmax. You can download the video and subtitles, and then either watch the film with a program such as VLC Player, which lets you use subtitles from a separate file, or burn the film and subtitles together onto a DVD.

    I received a request to do a review of this film from a reader. Godfather Death Gevatter Tod is based on one of the most interesting fairytales the Brothers Grimm ever transcribed.

    Unlike most of their stories, the magical elements are kept to a minimum here. At the beginning of the film, we see a man scurrying down the road, clutching a baby in his arms, his thirteenth child.

    Next he meets the Devil, who also offers, having a special fondness for the number thirteen. Finally, he meets Death, who, unlike the other two, treats everyone as equals.

    The man likes this attitude and decides that the Grim Reaper should be godfather to his son. After he saves the life of Barbara, the young and beautiful daughter of the mayor, he is shown that her candle is almost extinguished and he would have to make a choice: Unlike a Disney version of a fairytale, no one in this story lives happily ever after.

    Godfather Death is a made-for-TV film that was first shown shortly after Christmas in Although made for television, the film was produced at the DEFA studios and it shows.

    As with most of his scores, much of the music takes its cues from the period in which the story occurs—in this case, the middle ages.

    Most of his work, both before and after the Wende , has been in legitimate theater and television. Death is played by Dieter Franke, an actor best known for comedy.

    The son of a stage designer, working as a props man and an extra in the theater in Greiz. He started working in films and television after he came to Berlin in He was scheduled to play the car accident spirit in Motoring Tales , but died in at the age of Since the Wende , he has gone on to become one of the leading voice actors in Germany, often dubbing the voices of Chris Cooper and Danny Trejo.

    Her first film was Disko mit Einlage Disco Interlude , followed by several more made-for-TV movies including this one. Still young at the time of the Wende , and already mostly working in television, reunification had less impact on her career than it did for some of the others at DEFA.

    She continued working television and has appeared in dozens of TV shows. Inevitably, with the perspective of history, we can see parallels to the tale here and the fate of the GDR.

    As it was originally shown on television, there are no box office figures for the film, but it was well received by the critics. As an example of an East German fairytale film, though, it is a bit of an anomaly.

    It lacks to eye-bleeding colors and over-the-top set designs of the earlier fairytale films. For that reason, it might be overlooked, but it is still worth checking out.

    IMDB page for the film. Thanks to kid film friendly companies such as K. Gordon Murray and Childhood Productions, these films were some of the very few that received U.

    Fairytales offered a nice neutral territory for both sides. Sure the rich are often the bad guys in the East German films, but they are in the original fairytales too.

    The films are colorful, imaginative, and well produced. The soldiers decides to keep the tinderbox and later discovers its magic powers just in the nick of time.

    In the film, she turns into a giant snake and is about to attack him before he kills her, thus betraying her deceit and converting her into a real threat.

    In the fairytale, three chests full of coins are guarded by gigantic dogs, with each dog bigger than the last. Playing the young soldier is Rolf Ludwig, one of the most popular and charming actors in East Germany.

    Ludwig got his start in acting during the war. He had joined the German airforce, where he served as a fighter pilot, and was captured by the British.

    After the war he started performing in various theater productions. At one audition, he demonstrated his enthusiasm for a role by jumping out a first floor window.

    Unfortunately for him, the first floor in Germany is what we call the second floor, so he ended up breaking his arm. Sometimes performances had to be cancelled due to his intoxication.

    Other times, he went out drunk, and it showed. Ludwig died in Berlin in The special effects for the film were by Ernst Kunstmann and his daughter, Vera.

    The film was shot in Agfacolor, which was developed for the Nazis to compete with Technicolor. After the war, there was enough color film stock at the AGFA plant in Wolfen to make a few movies, but the Soviets claimed it as compensation for the war.

    In the west, the Allies—and especially the United States—continued to throw up roadblocks to keep the West Germans from making movies. Instead, Hollywood films were imported for screening in German cinemas, sometimes without subtitles.

    This lined the pockets of the Hollywood producers, but only served to infuriate the German public, many of whom spoke no English at all back then.

    The Soviets had a very different take on the subject. They had already seen the power of film as a tool for proselytizing with movies such Battleship Potemkin and Mother.

    Because of the U. This was, of course, a great publicity coup for the Soviets, but it also meant that some of the films made during this period were DEFA in name only.

    They looked and felt like West German films. A perfect example of this is Heart of Stone Das kalte Herz. Anyone watching this film for the first time would logically assume that it was made in West Germany.

    A quick rundown of the cast shows that nearly everyone who worked on this film came from West Germany.

    A few worked on other DEFA films during the early years, but most did not. Heart of Stone tells the story of Peter, a young man who works as a collier—a meager existence if ever there was one.

    Dutch Michael keeps the hearts of local rich men pinned to a wall like a butterfly collection. He tells Peter he will replace his heart with one made of stone.

    At first, Peter balks at this suggestion, preferring instead to continue looking for the Glassman. He eventually meets the Glassman and gets his three wishes, but the frivolity of his wishes come back to bite him, so Peter rethinks his strategy and goes looking for the evil Dutchman to broker a new deal.

    This film is based on a fairytale by Wilhelm Hauff. Hauff wrote three books of fairytales, and this story appeared in two parts in the last of these books.

    This edition is now available at the Project Gutenberg website as a free download. Heart of Stone has been filmed at least three times; two of his other fairy tales, The Story of Little Mook and Zwerg Nase Little Longnose , have been filmed five times each.

    He got his start in films during the Third Reich, when he both acted and starred in several motion pictures. After the war he managed the Bavarian State Theater until , when he returned to cinema to film his play, Das kleine Hofkonzert Palace Scandal.

    Oddly, Paul Verhoeven died of heart failure while giving a eulogy on the stage at the Munich Kammerspiele during a tribute for the famous Munich actress Therese Giehse best known to U.

    Verhoeven stood up, began the obituary, and keeled over dead. Michael is married to the beautiful Senta Berger. She was briefly married to the great German actor, Mario Adorf, and their daughter, Stella Adorf is now also an actress.

    Paul Verhoeven is not related to the Dutch director of the same name. Lutz Moik plays Peter the collier. He does an admirable—if somewhat melodramatic—job of portraying the young man and the changes he goes through.

    His transformation from the naive, warm-hearted proletarian to the greedy, cold-hearted capitalist is a Jekyll-and-Hyde performance.

    Moik was born in Berlin, and began his acting career during the waning days of the Third Reich, working at first on radio, and later appearing in movies.

    Eventually, he settled on the western side of the wall where he continued work as an actor and a dubber for many years. He died in in his hometown of Berlin.

    Playing Lisbeth,was the lovely Munich-based actress, Hanna Rucker. Rucker began her career as a theater actress, appearing in several productions in the Munich Kammerspiele.

    She retired from films in at the age of 33, when she married producer Mo Rothman and moved to England with him. Although they later divorced, Ms.

    Rucker stayed in England until the end of her life and never made another motion picture. Paul Bildt was already a well-respected actor by the time this film came out.

    He had been acting in films since , and also appeared in a few DEFA films during the forties. After this, he moved to West Germany, where he continued to appear in movies until shortly before his death in for more on Paul Bildt, see Razzia.

    The cinematography was by two of the best technicians working in East Germany at the time—Ernst Kunstmann and Bruno Mondi.

    Kunstmann was primarily known for his special effects, and was most likely the man behind the camera in the scenes the featured Dutch Michael.

    Like Paul Bildt, Mr. During the thirties Mr. Heart of Stone would be his last East German film. Olvida me later translated versions: Make It Go Away composer: Into the Blue composer: Credits CD 1 composer: Jukka Backlund tracks 2, 4—7, 11, 14, 16— Samu Haber tracks 1—14, 16— Samu Haber tracks 1—9, 11—14, 16— Olvida me tracks 4, Tuhoutuva tarina tracks 4, All Because of You track 3.

    Choose to Be Me track 1. Fairytale Gone Bad tracks 4, Forever Yours tracks 2, 17— Heal Me track 6. Into the Blue track Make It Go Away track 8.

    Sunny Day track Q [ info ] Wikipedia: On the Way to Wonderland [ info ] lyrics page: Cover art from Amazon. Choose to Be Me recording of: Forever Yours recording of:

    Fairytale gone bad deutsch - excited too

    I ain't more than a minute away from walking. Find a new one to fool. We can't cry the pain away. Sunrise Avenue Wonderland Übersetzung. Sie alle machen Fehler und wir haben es auch getan. This is the end, you know.

    bad fairytale deutsch gone - agree with

    Out of my head, out of my bed. Sunrise Avenue Stormy End Übersetzung. Ich liebe es, dieses Lied zu singen Es passt fast perfekt zur momentanen Lage zwischen mir und meiner Ex-besten freundin.. Langsam wird mir klar, dass nichts mehr für uns spricht. Wir können keinen Grund finden, um zu bleiben. Diese Website verwendet eigene Cookies und Cookies von Dritten um die Nutzung unseres Angebotes zu analysieren, dein Surferlebnis zu personalisieren und dir interessante Informationen zu präsentieren Erstellung von Nutzungsprofilen. Mir steht's bis hier; Ich kann nicht dein Mann sein. There's no more rabbits in my hat to make things right. They all make mistakes and so did we. Aber wir haben etwas gemacht, was wir nicht rückgängig machen können. Tell them the fairytale gone bad. I ain't more than a minute away from walking. Wir können den Schmerz nicht wegheulen Wir können keinen Grund finden, um zu bleiben. We have nothing left, it's the end of our time. Lady, the plans we had went all wrong. Erzähl ihnen, ich war es, der dich traurig machte, Erzähl ihnen, dass das Märchen sich zum Schlechten gewandelt hat. Sag ihnen, dass ich es war, der dich traurig gemacht hat. But we did something we can never turn back right. Raus aus meinem Kopf, raus aus meinem Bett. Sunrise Avenue Stormy End Übersetzung. Raus aus meinem Kopf, raus aus meinem Bett raus aus den Träumen, die wir hatten — sie sind schlecht. Ich bin nicht mehr als eine Minute vom Abhauen entfernt. I have englisch forst for two years:

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